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acrylic prints london acrylic prints black and white acrylic prints book acrylic prints bellows acrylic prints engraving acrylic prints etching acrylic prints panoramic acrylic prints brass acrylic prints victoria and albert museum acrylic prints wood acrylic prints material acrylic prints fictional character acrylic prints natural history museum acrylic prints grotesque acrylic prints 19th century acrylic prints

drawings london drawings black and white drawings book drawings bellows drawings engraving drawings etching drawings panoramic drawings brass drawings victoria and albert museum drawings wood drawings material drawings fictional character drawings natural history museum drawings grotesque drawings 19th century drawings

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Carved walnut wood bellows, 1550-1600, (1881). Etching of a pair of bellows, made mid-late 16th century in Italy, possibly in Rome or Florence. Bellows were used to help an open fire burn more vigorously. By pumping with both hands, oxygen could be directed through the nozzle to feed the flames. This set of bellows is carved with masks and sirens, with the mouth of the central face serving as air-inlet. The grotesque ornament may derive from prints of Antique sculptures of Roman actors' masks. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). [Sampson Low, Marston, Searle and Rivington, London, 1881]. Artist D Jones. (Photo by The Print Collector via Getty Images)

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