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acrylic prints claude monet acrylic prints impressionism acrylic prints composition acrylic prints post-impressionism acrylic prints 19th century acrylic prints color image acrylic prints vertical acrylic prints france acrylic prints sitting acrylic prints window acrylic prints illustration acrylic prints neckerchief acrylic prints human interest acrylic prints side view acrylic prints container acrylic prints

drawings claude monet drawings impressionism drawings composition drawings post-impressionism drawings 19th century drawings color image drawings vertical drawings france drawings sitting drawings window drawings illustration drawings neckerchief drawings human interest drawings side view drawings container drawings

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The Red Kerchief, circa 1868-73. In its early stages, this composition contained two figures seated inside the room on either side of the window. Monet radically altered the composition by painting over the figures. They were replaced by an image of the artist's favorite model---his wife Camille, who passes outside the window in a red cape. Intense light---reflected from the snow-covered landscape---floods the room, obliterating details along the walls and floor. The off-center window frame and the blurriness achieved through sketchy brushstrokes suggest the scanning movement of the artist's eye as he viewed this scene. Contrasted with cold blues and silver whites, Camille's red cape draws the viewer's attention through the glass and into a swift exchange of glances, registering a brief moment in time. This painting evidently held special meaning for Monet, for he kept it with him until his death in 1926. Creator Alphonse Legros (French, 1837-1911). (Photo by Heritage Arts/Heritage Ima...